| Nato | ca. 1708 (Exeter) |
| Morto | 2 febbraio 1776 (London) |
| Nazionalità | Regno Unito |
| Epoche | Classicismo |
| Professione | pittore, illustratore |
| Allievo | Lemuel Francis Abbott |
| Appartenenze | Royal Academy of Arts |
| Opere note | Messengers Before an Emperor, Battledore and Shuttlecock (1740), Flying the Kite (1740), A Study for "Seeing -- La Vue" (One of the Five Senses), Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband" |
| Musei | Yale Center for British Art, Art Institute of Chicago, National Gallery of Ireland, Yale University Art Gallery |
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| Nato | ca. 1708 (Exeter) |
| Morto | 2 febbraio 1776 (London) |
| Nazionalità | Regno Unito |
| Epoche | Classicismo |
| Professione | pittore, illustratore |
| Allievo | Lemuel Francis Abbott |
| Appartenenze | Royal Academy of Arts |
| Opere note | Messengers Before an Emperor, Battledore and Shuttlecock (1740), Flying the Kite (1740), A Study for "Seeing -- La Vue" (One of the Five Senses), Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband" |
| Musei | Yale Center for British Art, Art Institute of Chicago, National Gallery of Ireland, Yale University Art Gallery |