| Nato | 1616 (Montpellier) |
| Morto | 1671 (Paris) |
| Nazionalità | Francia |
| Epoche | Barocco |
| Professione | Maler, Druckgrafiker, Kunsttheoretiker, Zeichner |
| Allievo | Theodor van der Schuer |
| Appartenenze | Académie royale de peinture et de sculpture |
| Opere note | Christine of Sweden on Horseback (1653), A Classical Landscape (1664), Opferung der Iphigenie (1650), Bacchanalia (1650), Venus and Aeneas (1660) |
| Musei | Art Institute of Chicago, National Gallery of Art, Metropolitan Museum of Art, Muzeum Narodowe w Warszawie, Bayerische Staatsgemaeldesammlungen (Pinakothek) |
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| Nato | 1616 (Montpellier) |
| Morto | 1671 (Paris) |
| Nazionalità | Francia |
| Epoche | Barocco |
| Professione | Maler, Druckgrafiker, Kunsttheoretiker, Zeichner |
| Allievo | Theodor van der Schuer |
| Appartenenze | Académie royale de peinture et de sculpture |
| Opere note | Christine of Sweden on Horseback (1653), A Classical Landscape (1664), Opferung der Iphigenie (1650), Bacchanalia (1650), Venus and Aeneas (1660) |
| Musei | Art Institute of Chicago, National Gallery of Art, Metropolitan Museum of Art, Muzeum Narodowe w Warszawie, Bayerische Staatsgemaeldesammlungen (Pinakothek) |